![]() It took the release of four full lengths for Stott to be able to leave the auto repair industry to focus on music full time. This unpretentious background really shines through when revisiting Stott’s early music, which possesses an automotive quality: There’s an engine-like darkness that lurks in its inky, driving beats, and the surrealistic simplicity of his distinctive album art style recalls the tasteful greyscale branding of the German car manufacturer that employed him. ![]() During the week when he wasn’t busy on stage, he’d play his tracks over the repair shop’s low quality speaker system and laugh to himself as he watched his older colleagues react with dismay. Balancing the life of a rising DJ with the duties of a blue collar worker, he used his weekends and whatever annual leave he got from his day job to tour. In the time he spent away from the garage, the Manchester, UK producer grinded hard, crafting driving-yet-delicate IDM in his downtime. Before he solidified his place as one of the most singular and influential electronic artists to emerge over the course of the last two decades, Andy Stott spent 18 years refinishing cars at a Mercedes shop.
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